WesandVictoria.com
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BIOS - DISCOGRAPHY - AWARDS - REVIEWS

Want to know a little more about Wes and Victoria?

This page has their bio- plus short bio info on the players that appear on the Ballad of Billy Saigon CD

Click on the Ipod to hear both projects!

listen to the music

You can PURCHASE the CDs here!


Wes and Victoria Bio

Wes and Victoria began their musical sojourn in San Antonio, Texas. Their first music business mentor was Augie Meyers, keyboardist and songwriter for the legendary band The Sir Douglas Quintet. Their initial lessons were conducted over piping hot bowls of caldo and Augie's homemade grilled cheese sandwiches where Augie explained the basics of gigging and shared stories of his exploits in the music business, including teaching John Lennon about the accordion and Vox organ and recording with Bob Dylan.

Putting Augie's guidance to work the duo started gigging in the San Antonio and South Texas area in a variety of their own bands, including a folk act named Little Smoke and a rock/punk act called Puffin. During this time Wes started writing original material and the duo dropped the majority of the cover material they once performed. Looking to expand the audience for their original work, they relocated up the road to Austin, Texas.

While in Austin, Wes and Victoria performed with a number of regional and national acts. They appeared on stage with Lucinda Williams, BW Stevenson, Townes Van Zandt, The Sir Douglas Quintet, Donavon, Eric Anderson, Steve Fromholtz , Jesse Dayton and numerous others. Wes and Victoria also opened a recording studio near the University of Texas called the Track Shack, where they produced local and regional acts. During this time the duo recorded and released an acoustic LP entitled "Not For Prophet" which garnered airplay in various US folk markets and as far away as France.

When the studio lease expired Wes and Victoria headed west to Los Angeles. The City of Angels proved to be the next step in their musical evolution as Victoria started getting session work, recording with Robert Altman, the famed movie director, Oscar winner Hans Zimmer, a CBS movie of the week TV score where she appeared on the soundtrack with Johhny Cash and she had the privilege of recording on Roy Rodgers last recording, adding her soulful harmonica tracks to all these projects.

In the meantime Wes continued to expand his composition and songwriting skills, scoring numerous small budget television and film projects and writing songs with Oscar winning composer Paul Williams. He scored the Los Angeles Area Emmy awards for 3 consecutive years as well as the ACE awards honoring Martin Scorsese. Wes and Victoria also performed acoustic sets throughout the LA area, appearing at the venerable venues of the Troubadour and Whiskey A Go Go along with gigs at various coffee houses and listening rooms across the city.

A series of illnesses derailed the couple, and they moved to Denver, Colorado to pursue new business opportunities. Wes continued to write, composing many of the songs that would one day appear on the "Ballad of Billy Saigon" CD, including the title track. Shortly after moving to Colorado Victoria was hit head on in a near fatal high speed car accident, which ultimately led to open joint jaw surgery and put a 3 year hold on her harmonica playing.

During this time Wes completed the songs for the Billy Saigon CD and began recording over a series of trip to Los Angeles. As Victoria slowly regained her ability to play, she recorded her tracks and the duo began to perform acoustic shows in the Denver area.

Once again, tragedy struck with a debilitating illness sidelining Victoria and requiring multiple hospitalizations. After three more years of recuperation Wes and Victoria once again took the stage and began performing acoustic shows.

Now back onstage, Wes and Victoria are pleased to release "The Ballad of Billy Saigon". The CD features songs of perseverance and redemption, hard won from the lives of the performers who have created it. Wes and Victoria have remained committed to their music, to each other, and to never giving up hope even in the darkest of times. Their music and their lives reflect a strength that can only be gained through lives fully lived and challenges met head on.

The brief bios of the all star ensemble that grace these recordings are on the Project Info page. Wes and Victoria deeply appreciate the talent and time these musicians contributed to this project.

Wes was also able to complete and release the CD project "White Man- Red Road" - named the Colorado Wave's 2009 record of the year, to honor his commitment to his spiritual Elders. More info on the Project Info Page


DISCOGRAPHY

The Ballad of Billy Saigon (original plus remastered version) 2008/2009
(Babamuse- available here and via download)
White Man Red Road - 2009
(Babamuse- available here and via download)
The Love CD- Colorado Food Bank Benefit (the song "Reunion) 2004
contact Carmen Allgood
Next Stop is Vietnam (Title track from Billy Saigon on disc with Pete Seeger and Bruce Springsteen) 2010
Bear - Family Records out of Hamburg
Innocence Ave (CD-No Longer Available) 1996
NeoBeatnick (Cassette only-No Longer Available) 1992
Not For Prophet (vinyl- No Longer Available) 1985

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AWARDS

2009 Artist of the Year - Starliners Network- Netherlands
award

Colorado Wave 2009 Record Of The Year- White Man Red Road
Arbor

2009 Wes Hamil Blue Muse Publishing Songwriter of The Year Finalist

Colorado Wave -GOLDEN WAVE- awarded 2009




REVIEW QUOTES (Just a few!!)


A quote from Academy Award winning songwriter Paul Williams about the music:

“Powerful stuff ...   haunting, tortured, unique ... uplifting in a 'friend pulling you up and over a concrete wall' kind of way ..   (not sure that came out right ..  but it's about the masculinity, that frames the feminine e of your performance) ..
   Reunion is I think the best song ...  the best performance ..   It's like a birthing and a struggle to be born ..    both at the same time.
   Vic's harmonica and harmonies are portraits ..    movies ....    Somebody's gonna grab 'Billy' or one of the other songs or maybe the whole album and put it on the big screen. It deserves a long life.

RootsTime Magazine in Belgium says:
" The lyrics have a healing quality and Victoria's harp playing adds a "soundtrack" feeling to the songs"
"Reunion" (my favorite) en "Beauty Way" both gems, are nice examples of these two elements combined to form those wonderful songs"
"Another thing is the perfect sound quality of this record,
which almost literally took blood sweat and tears and a lot of time in the making. This turned it even more into a small masterpiece which grows on you every time you play it...over and over again...

And Chris K- aka Goat from MileHighMusic and The Colorado Sound on KFRC 88.9 FM writes:
There's something raw and natural about "folk" music. It cannot be made up; either it's present or it isn't. There's a reason why so many great players are on this record. All I can say is, "Welcome to Colorado Wes and Victoria, and thank you for sharing your music with us." This album is as real as it gets ...

Radio INDY writes:
“The Ballad Of Billy Saigon” by Wes and Victoria is folk rock/Americana at its best and deserves a good listen from any fan of that genre. Originally hailing from Texas, the duo’s work has that southern feel and is a great mix of folk, rock, country and good ol’ cowboy music. Wes has a very unique singing voice that is particularly raw, letting you feel every note and word he is singing. The harmonica talent of Victoria is well highlighted on songs like “Trail of Tears,” and it sounds great. There is also a very welcoming Rolling Stones-influenced number called “Love Got a Mind of Its Own,” a song that could easily be compared to anything the Stones did in their best years. For listeners that enjoy folk rock and Bob Dylan, Wes and Victoria’s “The Ballad Of Billy Saigon” is definitely worth listening to.

About White Man Red Road NYC Artist and Actor Edward Weiss comments:
"This record is as revolutionary in its own way as Led Zepplin III, and probably will be just as misunderstood initially.... "